Aisha Lumumba, My Street, 56.5
This quilt is reminds me of the houses on my steet growing up. Although, they were not row houses, each one had it's own character.
www.obaquilts.com
alumumba@obaquilts.com
Sunday, November 20, 2011
Aisha Lumumba
Aisha Lumumba, My Street, 56.5
This quilt is reminds me of the houses on my steet growing up. Although, they were not row houses, each one had it's own character.
www.obaquilts.com
alumumba@obaquilts.com
Tuesday, October 4, 2011
Fulton Ross
I paint both figuratively and abstract. This painting was completed in Germany in 2005. I was there helping my brother and his wife both stationed in the military with their three children. I had a great studio in their home off base. Although I love the face and figure sometime a great cloud formation fills my spirit with the need to paint.
www.fultonrossmag.com
941 320 1481
Monday, September 26, 2011
Friday, September 23, 2011
Marcus Dillard
770-256-5131/ drdilliyo2010@msn.com
Friday, August 12, 2011
Saturday, July 16, 2011
Gustavo Franco
Gustavo Franco, Dark puzzle, 100cm x 70cm, mixed monotype, 2010
http://sites.google.com/site/gfranco9/
gfranco9@gmail.com
Friday, July 1, 2011
Irena Orlov
Mixed Media 24x24" on canvas.
Contemporary Abstract with a touch of Antique.
Unique Collage Painting created with Rare Antique Newspaper printed in 1863 "New York Times", acrylic and oil.
http://www.yessy.com/aneri
irenaorlov@att.net
Julia Nelson-Gal
This piece was made from hundreds of scans made while in a residency at the Badè Archaeology Museum in Berkeley California. Many of the objects that make up the Mandala are over twenty-seven centuries old.
julianelsongal.com
www.julianelsongal@gmail.com
Monday, June 27, 2011
Turtel Onli
Year of The Dragon
This rhythmistic watercolor shows a neo-classical treament of the Chinese Zodiac icon. It is one of a 12 set collection created on archival acid free paper.
www.onlistudios.blogspot.com
773-726-1610
Tuesday, May 17, 2011
Cheryl D. Edwards
From N.Y. to D.C.. 24x30. oil; 2009
ARTIST STATEMENT
Cheryl D. Edwards was born in Miami Beach, Florida. She began her studies in art during 1990 in New York City in a class at the Art Student League taught by the late, Ernest Crichlow. She has been living in Washington, DC for the past 16 years. Cheryl has exhibited in many shows in the Washington, DC area.
Her interest in art stems from her fascination of the human body as a whole. Her medium is oil, ink and acrylics. After 15 years of painting nudes she has become fascinated with nature and how it relates to humanity. She says, '...the transfer of an image to canvas begins from the process of having the ability to capture the spirit of a person or object being observed. ...the person's soul shines through the process of capturing the light and dark areas. Art allows me to travel into all realms of possibility. As I look at my life, I have found that I have always chosen ART...' Please contact her for viewings.
Series - 2007
“The Return”
The return is about the enslavement of Senegalese people and how they preserved to survive that period of darkness in their history. The work of Cheryl Edwards begins from the beginning of the most abhorred period in Senegal with the “Door of No Return”; which is geographically located in Goree Island, Senegal. The action of perseverance is depicted in semi abstract spiritual pieces of work embodied with strong symbolism, which appeals to everyone on a universal plane. The series ends with every day scenes of what Senegal looks like in today’s society.
Series – 2008
“Ndebele People – Dolls Ritual/Play
This series sets forth the concept of the use of dolls by the Ndebele People of South Africa. Traditionally all over the world dolls are inevitably used for play and also used for performing rituals. The series consist of 19 artworks using a technique, which combines ink and water-soluble oils. The works depict a combination of the Ndebele people in South Africa in common everyday scenes, and the work demonstrates through creative visual the effect of the use of dolls for the purpose of performing rituals. Dolls have been historically used by the Ndebele People to enhance the possibility of marriage and childbirth. A more widespread usage is to employ a doll to assist in a healing ritual. Many of the dolls made by the Ndebele woman are representative of the traditional healers (Sangoma); they are notably recognized by their dress and always accompanied by a red blanket or cloth worn over their shoulders. This is symbolic of protection of one’s powers. This series opened for exhibit at the Wohlfarth Gallery in Washington, DC on October 17, 2008.
Series-2009
' New York City Water Towers'
This series depicts the simplicity and beauty of the water towers seen on the roof tops in New York city. The paintings are semi-abstract and captures the shapes and lines of the city incorporated with the balancing shapes of the water towers. The series consist of 20 paintings using the medium of ink and water soluble oils. This exhibit opened in December 2009 at the Sitar Center for the Arts,Cafritz Gallery located in Adams Morgan community in the Disrict of Columbia.
Cheryl-edwards.artistswebsites.com
cedwards@theexcelinstitute.org
Friday, May 6, 2011
Lisa Welcher
I am an artist who works in several mediums Sculpture, painting, photography, collage and assemblage.
http://lisawelcherart.com
creatives36@gmail.com
Tuesday, May 3, 2011
Alan Jordan Lew
I work obsessively with small pieces of paper that I cut using only a pair of scissors, glue sticks, and my finger. Sometimes to create more complex patterns I will cut smaller shapes from one collage and overlay onto another collage. Almost a mosaic look.
http://www.saatchionline.com/ajl
west1710am@hotmail.com
Monday, April 25, 2011
Vandorn Hinnant
This two iteration double fractal diagram is one of several images in a series that are variations on the theme: "Duality in ONEness". These images are illuminated manuscripts written in the timeless cryptographic code language of Life: Sacred Geometry.
www.lightweavings.com
lightweavings@aol.com
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